This is the last of the black and white work that I have scanned at the moment; I have a bunch more in various stages of getting into the computer. Three rolls unprocessed, three that need to be scanned, and one half roll in the camera that I’m exctied about.
This is where i find myself; on the street, in SF, taking pictures of things, not people. it’s not really street photography so much as a sort of urban landscape. There’s this idea of the street photograph as a well-dressed pretty lady in a perfect shaft of sunlight; this is not that. Neither is it getting right in the face of the subject. I’m terribly shy out in the real world, even among people I know sometimes.
The san pablo project is weird in that it has physical boundaries; all the pictures taken on the street or sidewalk or in businesses that are on it. These rules are somewhat arbitrary, but they keep me from tossing in every good picture that somehow tenuously relates to the road or the history. If I gave myself a 50-yard margin around the road, the last picture would count, too, but that feels like cheating. I still like it, and it was scanned and probably shot within a couple days of these other ones.
I think this was April? Might have been early May. Wasn’t June, that just started. Hella grainy; this is P3200 exposed at 3200, and then scanned with a little too much sharpening in the scanner software. I can’t really be bothered to re-scan (if you knew what a headache scanning is, you’d agree).
Been doing this work for a while, and the other day Mike called it out on twitter as ‘architectural stuff,’ and I suppose it is, in that it’s pictures with a lot of buildings. It doesn’t really bear a lot of resemblance to real architectural photography, though. It’s more urban lanscape-y and an attempt to see where we are right now.
Copyright © 2008-Forever, Matt Mills.
