So, imagine this: you and 1000 almost-complete-strangers, plus the friends that you trust to look after your cat and a few people you’ve seen at parties, descend on a town in the lower parts of the eastern sierra with PA gear and floaties… that’s priceless. Not to say it was un-organized; the people running the show were quite efficient, actually. It’s a lot of people crammed into a camp made for maybe 2/3rds that number.
So I didn’t actually end up with a ton of free time between jobs; there was a lot of stuff I needed to get done in that week and a half. But I did have one day where all I did was just walk around and take photos. This was the first part of that day. I’m not sure why the month-old roll took so long to get processed, but it did.
Again, taking the same photo over and over. again, looking at the street. feels like I’m getting really in tune with the film camera after these last couple weeks. its wants and needs and places it likes to go. The night shots in particular were a bit of a surprise. I took them at whatever slow shutter speed I figured I needed, and expected them to be blurry. but here we are, and they’re pretty OK.
I’m not going to lie, this is a lot of pictures. I could do a tighter edit, but I really like all of these, and there was almost no work on my part. I shot them, I ran the film here, and then I took them and had them scanned at Photoworks SF, and that’s pretty much it. I didn’t even do the fancy deluxe scans, I did the 5x7 scans. They’re perfect for throwing the pictures up here on the interwebs. No, they’re not paying me.
Just a little post, with a few things to say. I’ve been walking the same streets a lot lately (which may have been evident by the two posts about the mission, or all the odd salon posts, etc). And there’s a vein in photographic thought that echoes the popular sentiment: that if you’re not doing something new, you’re not doing something worthwhile. St Winogrand said something along the lines of “I never want to take the same picture twice.”
Copyright © 2008-Forever, Matt Mills.
